Jul 152011
 

The ENnie Awards Voting Booth is live, and will be  for over a week. That said, please don’t delay in making sure your voice is heard in one of the RPG industry’s biggest awards!

http://www.ennie-awards.com/vote/

The Dresden Files RPG has received an outstanding six nominations this year, and Happy Birthday Robot received four as well. We certainly hope you agree with us that these are some of the best games this year and worth your votes, but even if you don’t agree, please do vote. The ENnies deserve the love!

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Jun 152011
 

Holy crap.

SHORTLIST FOR 2011 DIANA JONES AWARD ANNOUNCED
Three RPGs and two board-games vie for hobby-gaming’s most exclusive trophy

The committee of the Diana Jones Award has announced the shortlist for its 2011 award. Boiled down from a longlist of 22 nominees, this year the list contains five candidates that in the opinion of the committee exemplify the very best that hobby-gaming has produced in the last twelve months. In alphabetical order, they are:

  • Catacombs, a board-game by Ryan Amos, Marc Kelsey and Aron West, published by Sands of Time Games
  • The Dresden Files RPG by the Dresden Files RPG Team, published by Evil Hat Productions
  • Escape from the Aliens in Outer Space, a board-game by Mario Porpora, Pietro Righi Riva, Luca Francesco Rossi and Nicolò Tedeschi, published by Cranio Creations
  • Fiasco, an RPG by Jason Morningstar, published by Bully Pulpit Games
  • Freemarket, an RPG by Luke Crane and Jared A. Sorensen, published by Sorencrane MRCZ

The winner of the 2011 Award will be announced on Wednesday 3rd August, at the annual Diana Jones Award and Freelancer Party in Indianapolis, the unofficial start of the Gen Con Indy convention.

ABOUT THE AWARD
The Diana Jones Award for Excellence in Gaming was founded and first awarded in 2001. It is presented annually to the person, product, company, event or any other thing that has, in the opinion of its mostly anonymous committee of games industry luminaries, best demonstrated the quality of ‘excellence’ in the world of hobby-gaming in the previous year. The winner of the Award receives the Diana Jones trophy.

The short-list and eventual winner are chosen by the Diana Jones Committee, a mostly anonymous group of games-industry alumni and illuminati, known to include designers, publishers, cartoonists, and those content to rest on their laurels.

Past winners include industry figures such as Peter Adkison and Jordan Weisman, the role-playing games Nobilis, Sorcerer, and My Life with Master, the board-games Dominion and Ticket to Ride, and the website BoardGameGeek. This is the eleventh year of the Award.

More information is available at www.dianajonesaward.org or at the Award’s Wikipedia page at http://en.wikipedia.org/wiki/Diana_Jones_Award

CONTACT
For more information you can contact a representative of the DJA committee directly: committee@dianajonesaward.org

Cross-posted with DresdenFilesRPG.com — comments over there please!

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Apr 132011
 

So, the Origins Awards nominees got released today. It’s an incredibly pleasing list for the categories where I’m personally invested. Dresden Files: Your Story got a nod for Best Roleplaying Game. Dresden Files: Our World got one for Best Roleplaying Supplement. And Family Games: The 100 Best, which I had an essay in, got one for Best Game-Related Publication. The competition in these categories is fierce, especially in the Best RPG category, which reads like a someone took a good hard look at my “most admired games of 2010” bookshelf but forgot to keep looking before they got to Smallville. (EDIT: Read Ryan Macklin’s post taking a quick look at our fellow nominees. He gets it right.) When folks say “it’s an honor just to be nominated,” they mean moments like this. But Rob has covered our mutual sentiments about all that over on his blog today, which you are of course reading already because you are a right-thinking person.

So, how does one get nominated? (Let’s take it as a given that you’ve already created and published a game of quality, and move past that part as something outside the scope of this post.)

To get nominated for an Origins Award, you need to get on the radar of brick & mortar retailers. This alone makes it a tough row to hoe for a micro-publisher, because that’s a plural noun I used right there. It’s not enough to make a splash at Endgame, as much as I wish that were true. You’ve got to penetrate the consciousness of a wide spread of those guys, and honestly a lot of that is luck built atop your game of quality. (The license, yes, helped.) You’ve got to do this because (and this is where I may be summarizing based on old info) they get formed into committees that select first-round nominees, that in turn get voted upon by retailers in attendance at the GAMA Trade Show in Vegas earlier this year. You’ve got to have something that’s been heard of and been well received by retailers on that committee, and retailers attending that show. It’s a trick. And in order to start all that you need to give a handful (5 or 6) of your hope-they’ll-get-nominated products to the folks running the awards so they can use them to evaluate, display, etc.

If you manage to run that gauntlet successfully, against every other eligible, submitted product in the relevant categories, you get on a very short list like the ones published today.

So, how does one get a win?

This is a little complicated, tho the process is pretty simple to describe: the Origins convention happens (which I’ll be attending along with a bunch of other Evil Hat folks this year, tho we intend this to be largely “for funsies” — no Evil Hat booth); there’s a ballot in the program; attendees vote on the products they believe are worthy; ballots are submitted, tallied, and winners determined. Finis.

Yeah, but, how does one get a win?

Like I said, it’s complicated. But, clearly, it boils down to: You need to get into the mind of the Origins attendees who make the effort to vote.

There are a number of ways to do that, and one very strong component is by having a strong presence at Origins that year. Luke ran the hell out of his game the year Burning Empires won. The Looney Labs guys have an incredible presence at Origins every year, and that goes a long way towards supporting their games when they get nominated. It should go without saying (but I’ll say it) that the wins are still well-deserved and the products, well-selected. But as a game company you can put a little english on that with your presence. (Evil Hat’s going to be at Origins, but as people not publishers, so I’m not sure we’ll get the “presence” boost. I’m okay with that. Origins is about the people, for me, and I pretty much never get to hit a big con and treat it as a non-business event. This time, I will, and that’s worth a lot to me. No booth-running stress sounds like heaven!) You can also use your presence there, beyond simply running games or selling your stuff at a booth, to ask for folks to vote for your stuff, actively. And if you’re lucky, you’ll get proxies to do some of the presence thing for you too (I certainly hope IPR will be campaigning both for Fiasco and Dresden this year, through their booth, and I would be pleased as hell to hear of people running our game both on and off schedule.)

Hopefully you’ve gotten a boost in the time since your product was released and leading, as well. It’s always nice when a voter shows up to Origins already knowing about your game and thinking it’s the best. But I don’t know to what extent that secures a win over active, at-show efforts. Again, it’s a situation where a micro-publisher is liable to be facing an uphill battle: potentially smaller audiences and a greater likelihood of not having a presence at the show.

So what does a win mean for a publisher?

Mostly, it’s prestige. I don’t think I’ve heard anyone, at least recently, report that winning an Origins Award had a palpable effect on their sales. But who knows? That sort of thing is hard to track, and certainly a game that can be called “prestigious” might have just a little bit of an extra shot at capturing a customer.

Me, I try to look at awards like this (as with the ENnies) as the nomination being the real honor. I’m gobsmacked at the company our game is getting to keep in that Best RPG category (which should not shock you, given my goopy radioactive retro-love for this year’s Gamma World, my tragic shot-in-the-head admiration for Fiasco, my dark bloody four-color appreciation of Green Ronin’s work). And if you’re gunning for the awards, yourself, that’s where  you might want to put your hopes, too.

Now that said… if you’re going to Origins… please vote. 🙂

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