Apr 032012
 

In this return installation of the Dinocalypse Now preview, we join our learned ape again, as he tries to unravel the knot of our current predicament! Join the fight, at the Dinocalypse Trilogy Kickstarter, today – we’ve already unlocked two more books beyond the trilogy, and are looking at more, all at a crazy-low price ($10) for all of the ebooks the campaign funds.

Prefer your samples in PDF form? Download this one, here, to get all chapters so far.

Chapter Four

Oxford University

Professor Khan threw open the bottom drawer of his deck, lifted the false bottom (with a finger hole cut out for one of his massive ape digits) and withdrew the Televisor Talk Box, a bulging bubble screen with a fat black dial underneath and a series of aluminum conduits forming a metal labyrinth (as if for a very tiny mouse) behind it.

Khan drew the box, extended the antenna, and spun the hand-crank.

The screen flared to life.

A blurry black-and-white image showed a library not unlike his own—but upon further inspection one would see this looked equal parts “war room.” The table in the back lined with a single map and a series of tiny flags gave it away, as did the many weapons—sabers and scimitars and blunderbusses—hanging on the visible walls.

The Century Club. Chapter house, London.

And it was empty.

It was never empty. Not once, not ever. Someone always manned the Televisor—necessary to monitor communications, to keep track of emergencies, to send messages between the chapter houses across the world, from Philadelphia to Mumbai to Paris and back again.

“Sir?” Edwin squeaked.

“What is it, boy?”

“What’s that I’m looking at, Professor?”

But Khan didn’t have time to explain. He turned the dial to one of the 12 tic-mark positions—the image warped like melting candle wax and was, for a moment, supplanted by a series of horizontal lines chasing each other.

Then a new image resolved:

The Philadelphia chapter house.

This one, different: less a library and more a Colonial workshop space, which was apt given that it once belonged to Benjamin Franklin. Franklin’s second secret illegitimate son, Barnard, served the Century Club as a hero known only as “The Key.”

What wasn’t different was that it, too, was empty.

Khan turned the dial again.

Shanghai, with its giant fish tank walls and foo dog statues: empty.

Paris, with its mirrors and the back window view of the Eiffel Tower: empty.

So too with Mumbai, Havana, Moscow, Sao Paolo.

And then he turned to Los Angeles.

The Los Angeles chapter house—austere with a Spanish mission vibe—was not empty, and for just a moment, Khan’s massive ape heart leapt light and free in his chest.

But then a hard knot formed in his throat.

“That’s the Projector,” Khan said. Mouth dry.

“Who, Professor?”

On screen, a small man with a massive helmet on his head, a helmet that to Khan looked a little like a kitchen colander with a series of wires sprouting from the top like worms or weeds, backed into the back corner of the room. Hand to the helmet. Projecting his psychic waves as he was wont to do.

Three other men advanced on him. Three eerily similar men—same build, same dark suit, same black glasses. Reaching. Smiling.

Their faces flickered. As if they were themselves projections—images inside images, a screen within a screen where the horizontal hold went kablooey. In the skipping stuttering facial flickers, Khan saw their heads replaced with monstrous reptilian ones—soulless eyes, gnashing knife-like teeth, the flesh forming ridges and scales.

“Projector!” Khan barked into the device—and with that, the small man with the big helmet turned toward the screen.

“Khan!” the Projector struggled to say. “The Century Club…”

The trio of saurian malefactors advanced upon the Projector.

Hissing. Tongues licking the air.

“…is under attack!”

“Run!” Khan said. “Run!”

The Projector suddenly tensed his whole body, shrinking even smaller, elbows tucked to his side, knees bent, as if he were ready to spring forward like a tensed-up jackrabbit. But it was not a physical release he sought—

A psychic blast radiated out from his helmet, an opaque ripple that knocked the three men back and, soon as it struck the Televisor on that end—

It destroyed the signal.

A loud squelch of noise drove deep into Khan’s head like a pin puncturing his eardrum and then the visual was lost, replaced with static.

Edwin staggered back, holding his ears.

“Professor, what’s going on?”

Khan pinched the bridge of his simian nose.

The jungle drums—subtle, quiet, but there just the same—thumped in between his heartbeats. Boom ba ba boom ba ba boom ba ba boom.

He pinched hard enough so that they stopped short.

“The Century Club is under attack,” Khan said, repeating the Projector’s dire warning.

“The Century Club? Those people. The ones you—you sometimes help.” Again Edwin hovered. A bundle of nervous energy in a knee-length sleep-shirt.

“I’m just a Professor,” Khan said, rebuffing a statement that was never made.

“I don’t understand.”

“This isn’t me. This isn’t my place. I’m just—I work behind the scenes. Don’t you see that?” Khan stood up suddenly, the chair beneath him rocketing backwards. “I’m just an intellectual. A thinker. That’s my job, you understand: to think.”

Boom ba ba boom ba ba boom.

“Professor, you seem to be rambling—”

Khan paced, and Edwin trailed after like a frittering terrier.

“So think,” Khan exhorted himself, rapping his ape knuckles against his brow. “Think! What did we see? We saw men who were not men. Whose faces were masks—but no! Not masks. Not in the traditional sense. Projections.”

“They looked like lizards—”

“Lizards. Indeed. Reptilian. Saurian. And what was it we saw outside? Pterosaurs. Flying reptiles. Dinosaurs—ancient, extinct—”

“They didn’t look extinct.”

“No, they did not. But the connection is clear just the same—saurian agents and flying dinosaurs. And all the chapter houses, empty save one. Why the Projector?”

“He has a rather spiffy helmet?”

“No.” Khan snapped his fingers—crack. “But also: yes. It’s not the helmet, it’s what the helmet does—it amplifies. It projects. And what does it project?”

“His voice? Nightlights? Talking pictures?”

“His mind powers. His psychic mind powers. That’s why he was the last Centurion left. Because he was battling them on their own turf.”

“Psychic dinosaurs?”

Psychosaurs,” Khan corrected, as if that had always been the term.

“Ohhh. That’s really quite clever!” Edwin smiled a smile of teeth so crooked it looked like a picket fence blown down in a bad wind. “You are a clever man.”

“Man.” Khan tasted that word. He felt the call of the jungle inside, but quickly tamped it down. “I am a man. Aren’t I, Edwin?”

“That’s what I said, Professor.”

“I am not a beast. It is not the body that makes us but rather the mind—is it not?”

“It… is?”

“It is.”

Khan took a deep breath. He knew his words sounded confident but he only wished what he felt inside radiated that same measure of authority.

No matter.

Khan moved back to the desk, pulled out another item from within the drawer’s secret space. This time: a tube. Opened and unrolled: a map. “We are being invaded, Edwin. First the Centurions are sidelined why? Because they’re the only ones who can stop this cataclysmic intrusion. Take out the guardians and the door becomes unguarded, does it not?”

Khan tapped the map. His finger thumped a location in the Pacific, crinkling against the time-worn blue of a cartographed ocean.

His finger reveaed a series of small islands. A chain of them. Midway between the California coast and Asia. Edwin leaned over and squinted at it through the thick lenses of his glasses.

“The… Hawaiian islands?”

“Indeed, indeed. Location of the Century Club’s most secret chapter house. A fallback position of last resort.”

“How do you know about it?”

Then came a twinkle in Khan’s eye, a gleam of lion’s pride. “Because I helped them choose the location and design it.”

Edwin blinked in apparent awe.

Professor Khan continued: “I’ve never been there, you know? But I think it’s time to change that. Edwin Jasher, do you care to accompany me on an adventure?”

“Me, sir?”

“You heard me, boy.”

Edwin’s face melted into a beacon of unrestrained joy. He said nothing: the look in his eyes was all the answer the erudite ape required.

Khan, meanwhile, felt his own flurry of joy, his own giddy rush—the call to adventure was sounded. But not with a horn, no.

Jungle drums. This call came from the thumping of jungle drums.

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Apr 012012
 

Hi. This isn’t an April Fool’s post.

We’re coming up on $20,000 with the Dinocalypse Trilogy (and more) Kickstarter campaign, and I wanted to share some data from the dashboard:

Referrer Type # of Pledges % of Dollars Dollars Pledged
Direct traffic (no referrer information) External 113 20.02% $3,920
Twitter External 79 20.72% $4,057
Popular (Discover) Kickstarter 49 6.67% $1,307
Search Kickstarter 39 6.87% $1,345.01
superexplosive.com External 36 4.16% $815
Facebook External 27 6.0% $1,175
google.com External 22 2.78% $545
plus.url.google.com External 20 3.09% $605
Kickstarter user profiles Kickstarter 16 3.32% $650
Embedded widget Kickstarter 16 1.85% $362
A project’s backer confirmation page Kickstarter 13 2.48% $485
deadlyfredly.com External 12 2.61% $511
Friend backing email Kickstarter 12 1.84% $360
mail.yahoo.com External 10 2.3% $450
atomic-robo.com External 10 0.82% $160
jim-butcher.com External 9 1.71% $335
Fiction (Discover) Kickstarter 8 0.62% $121
faterpg.com External 6 0.92% $180
forum.rpg.net External 5 0.54% $105
rpgkickstarters.tumblr.com External 5 0.33% $65
Activity feed Kickstarter 4 1.53% $300
flamesrising.com External 3 1.53% $300
Follow Friends page Kickstarter 3 0.31% $60
cemurphy.net External 3 0.26% $50
Staff Picks (Discover) Kickstarter 2 0.52% $100

When it comes down to it, a Kickstarter campaign doing well (I think I can safely say we’re doing well without that being boasting) is an aggregation of many smaller audiences into a bigger one. You can see, above, how the various means of project discovery on the Kickstarter website helps drive traffic to us as we pick up momentum. You can also see how very potent social media has been for us (which is, itself, an aggregation of many small audiences). What’s left from those is a variety of blog sources, some of which I control directly, some of which represent review sites, community sites, and blogs of the project’s contributing authors. (You’ve heard that we’re offering up novels by Atomic Robo‘s Brian Clevinger and Urban Shaman‘s C. E. Murphy, too, right? And you get them all in e-book for a low backing price? Plus, we’ll announce even more this Tuesday…)

The upshot, then, is that you can’t plan on a “single channel” to bring you success with your kickstarter campaign. You’ve got to think “okay, here’s my one audience … but where are others that I can add into this?” Not a fan of facebook, twitter, G+? Tough — you’ll get another audience if you’re over there, so consider how to establish yourself and gain a following before you launch. Is your project a single creator gig? Well, maybe you should think about how to involve other creatives, too — you’ll get both the fruits of their talents and their audiences when the project launches. Every little bit counts, and it’s only when you start adding all of that up that you can reach for that self-sustaining critical-mass reaction that can really make things fly.

That’s the theory, at least. I’m only 12 days into this thing. Three weeks yet to go, and more kickstarter campaigns beyond this one. We’ll see how well the theory holds up.

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Mar 272012
 

The Dinocalypse Now preview continues! Tune in for more through our kickstarter page! Now with additional novels outside the trilogy!

Prefer your samples in PDF form? Download this one, here, to get all chapters so far.

Chapter Three

New York City

Mack tuned into the radio on his wrist, dialed to Grey Ghost’s frequency—

And heard only static whispering back: the pops and crackles of dead air.

They thought to follow him, to descend into the sewers to track his radio, but then more of those assassins turned onto the street, all dark suits and black glasses and wide razor mouths. A half-dozen here, another half-dozen marching around the other corner.

The fake-faced killers hadn’t yet spied the Centurions.

Sally pulled them into the lobby of the Empire State Building. Above their heads, the art deco gold leaf relief of the stars and planets in a long line. Beneath them, the cold terrazzo floor.

“They’re coming,” she said.

“They got Ghost?” Jet asked.

“They got Ghost,” Mack said. “What in the name of Snow White and the Seven Dwarfs is going on? Anybody else feel like those things got in their head?”

“They told me—” Jet began but then decided not to share the whole story. “They told me to go toward the light. I heard it but I didn’t hear it.”

Sally chimed in: “Like they were inside your head.”

Jet nodded. He felt his palms go slick.

“If Flyboy here hadn’t bonked their heads like a pair of island coconuts, those freaks would’ve had me for sure,” Mack said. “Ghost didn’t have a shot.”

“We have to get him back,” Jet said.

“Not yet, kid. We gotta regroup. Get our bearings. See what we’re up against. If they can get in our heads easy as apple pie, then we don’t stand a chance. If this attack really was on us and not on Roosevelt, then it’s time to be extra-cautious.”

Jet felt his face growing red. “Cautious? You? Selfish. That’s what you mean.”

“Hey now! Where’s this coming from, Flyboy?”

“You’re protecting your own hind end, not ours.”

Mack grabbed Jet by his suit. “You’re damn right I am. Somebody has to watch out for A-Number-One. You picking up what I’m laying down?”

“Oh, I’m picking it up,” Jet seethed.

A loud whistle cut through the lobby, echoing. Sally stood there, fingers between her lips. “Everybody listening? Good. Mack’s right, though maybe for the wrong reasons.”

“Hey—” Mack protested, but Sally cut him off with a look.

“We have no defense here. Our only hope is to get to the plane and find our way to another chapter house. Philadelphia, maybe. Regroup. Learn about—”

Outside came screams. Screams of people, yes. But something else, too.

The three of them crept toward the door. Peered out the glass.

Just as a massive winged dinosaur crashed down on a black Buick 41. Denting the car’s hood like it was made of tinfoil.

“That’s a dinosaur,” Mack said.

“It’s not the only one,” Sally said, pointing up. They tilted their heads and glimpsed what little vantage they could—across the sky drifted other winged lizards, darting between massive black dirigibles, blimps lined with strange tribal markings.

“This situation is all wet,” Jet said.

“Not only do we have a bunch of lizard-faced mooks with the ability to get in our heads standing in our way,” Mack said, “but now we got real dinosaurs in our way?”

“And dirigibles of unknown origin,” Jet added.

“Follow me,” Sally said, grabbing the both of them by the crook of their arms and pulling them toward the elevator. She stabbed a button with her wrench.

The elevator dinged.

“My jetpack is long gone,” Jet said, thumbing toward the street. “It’s still out there. We can’t go up. We go up, there’s nowhere else to go.”

“Who said we’re going up?” Sally asked.

She pushed them both inside.

Once in after them, she stabbed the down button.

* * *

Sally explained as she ushered them through the darkened Empire State Building subbasement and toward a locked door marked with a plaque: NO ENTRY.

The Federal government, in all its wisdom and autocracy, decided that it needed a rat’s warren of secret tunnels laced throughout the city’s underground. Hidden evacuation tunnels for government officials, clandestine offices, fake “steam” tunnels and the like.

Using these tunnels, she said, would take them across Manhattan and dump them out at the Hudson—where Lucy sat docked.

The tunnels were twice as dark as night. The air sat still and cold.

“Got it,” Sally said, voice echoing. She fumbled around at the back of her belt, and hanging there she pulled a micro-torch she invented for on-the-go jobs.

Or, of course, to light pitch-black tunnels.

Blue flame erupted in a crackling cone, and as a result, they once again could see.

Mack checked his compass. “We just need to head east.”

Ahead of them, the tunnel was only big enough for one of them—each elbow rubbing along a cement wall. But as they crept along, the space widened and the floor dropped while the ceiling remained the same. It went from being a bog-standard utility tunnel to looking instead like a cathedral that had been buried beneath the earth—the sudden vault of the ceiling and the deco pillars in the wall only helped to complete the illusion.

“How’d you know about these tunnels?” Jet asked.

“Remember the giant rats?” About five years ago, Sally was called to investigate a warren of super-sized rodents beneath the city. She didn’t expect they’d also be super-intelligent. But, so it went—the rats, harmless and actually quite friendly, now had kept to a small island off the coast of Norway. “I had a sandhog show me the way down.”

Mack laughed. “Sandhog.”

“That’s what they’re called.”

“No, no, I know. It’s just—c’mon, doll, that’s funny. Sandhog.”

“I’m not your doll.”

He stiffened. “I know you’re not.”

“The hogs built this city,” Sally asserts through clenched teeth. “Sewers? Subway tunnels? Ever hear of something called the Brooklyn Bridge, smart guy?”

Mack chuffed. “All right, okay, everybody settle down—”

A wretched screech echoed through the tunnels. Stopping the three of them in their tracks. Mack whispered: “Don’t suppose that’s one of your rat pals?”

Sally didn’t answer. She didn’t have to.

Suddenly, the ground began to shake. Streamers of dust fell from the ceiling as the ground rumbled.

Another screech. Closer this time.

And the floor shook harder.

“Do we need to run?” Mack asked.

“We need to run,” Sally confirmed.

Jet was about to throw his own two cents into the cup—but behind them, a massive beast with pale, scaled flesh crashed through the wall. In the uncertain light of Sally’s torch they saw milky eyes, a head shaped like an iron forge, a lashing tail thick as an elephant’s leg.

Nobody needed to say it, this time:

They ran, the beast in swift pursuit.

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Mar 232012
 

So, the Dinocalypse Kickstarter is going really well — lots of “heat” in its first 72 hours, busting through stretch goals, forcing us to get more out there as quickly as possible (but with careful consideration — avoiding panic is critical). It’s a fun ride, and it’s easy to simply look at the big numbers (backers and dollars) and think, yay, yay, yay!

And I do, because I get to look at (and spasmodically refresh) this (click to embiggen):

But it’s important — well before this point — to make sure you have your cold shower handy. In essence, you should prepare for your worst-case success scenario, and make sure that’s acceptable to you, because once you cross that green line above, you’re going to have to deliver (short of canceling the project before its conclusion date).

What’s a worst-case success? It’s the one where the greatest possible proportion of the money you’ve received goes toward your costs-to-deliver. These costs to deliver can be manifold, but I’m going to focus solely on the cost of shipping, because it’s something that, once you spend money on it, “just” gets the product to the customer, and doesn’t produce any lingering positive for you as the publisher/creator (aside from, hopefully, a prompt and pleasant delivery experience for your customer). By contrast, money spent on, say, a print run, at least has a likelihood of producing additional, salable inventory for you — a lingering positive, an asset. Not so with shipping (nor, for that matter, the transaction fees and cut for kickstarter.

I’ll use Dinocalypse as an example, focusing on the moment that we hit our $10,000 “deliver the full trilogy” goal.

First, let’s look at our best case: our $10 tier. Here, the backers get three e-book novels for the cost of 2, and the cost to fulfill — to deliver — those to the customer are very close to nil. If we got 1,000 backers all buying in at this level, we’d hit our $10,000 goal, and we’d only lose money to the kickstarter cut (5% — $500) and the transactional cut for amazon, the payments processor (3-5% — $500). So our best case leaves us with 90% of the actual cash folks put towards the project.

Now, our worst case: that’d have to be our $25 tier, as launched. Here, we’ve got a single book with a shipping budget baked in of about $10. We might be able to shave off a couple bucks from that by trading sweat equity for dollars, packing it ourselves instead of using our shipping service, going for media mail, all that, but for right now we’re looking at a sort of rough, UPS-like basic ground shipment cost. Better to slightly overestimate that, especially, because you’re also on the hook for packing materials (padding and structure are as important as postage here; you want folks to get their spiffs in great shape). If we had 400 people buy at $25, that’s our $10k, but $4,000 of that would be marked for shipping costs. Add the $1k in kickstarter and transactional costs, and that’s $5,000 out of our $10,000. Massive! So our worst case is that this is the only tier folks buy in at, and we walk away with only half the cash we’re looking to have.

Knowing your bracket — in my case, 50%-90% being the actual take — gives you context, expectation, and planning. If I absolutely need all my costs covered, I have to look at that worst-case percentage and ask myself: should I be increasing the target to accommodate the cost of delivery? It’s pure algebra at that point, and will give you a more realistic sense of your ability to get what you’ve got to the people who want it. In my case, knowing that worst-case prepares me for how much cost Evil Hat might have to bear, period, in the face of big success. Potent and valuable information there.

Reality is, almost no project sees uniform backing. I ran the numbers — guesstimated and rough — on what things looked like when we hit $10k yesterday. Roughly eyeballed, it looked like it was coming out to about $1,600 in shipping fees incurred so far, so adding in the $1k transactional costs, meant that we were still likely to see about $7,400 of that to go towards our development costs. That certainly doesn’t cover all of the costs we’re looking at to develop the first three novels, but it’s a nice solid chunk that we’ll have taken care of before/as we take the product to market following the kickstarter campaign. Importantly, seeing that 26% of the cash so far was going towards that stuff did not produce a moment of sticker shock for me — instead, it looks a lot more like “at least we get to keep 24% more than we would in the worst case!” And that, for sanity and for financial planning, is worth gold.

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Mar 202012
 

It’s Kickstarter launch day! Visit the kickstarter page here: http://www.kickstarter.com/projects/evilhat/spirit-of-the-century-presents-the-dinocalypse-tri

To celebrate, we’re releasing another preview chapter from Dinocalypse Now.

Prefer your samples in PDF form? Download this one, here, to get all chapters so far.

Chapter Two

Oxford University

The drums, the drums, the jungle drums. Screaming monkeys, a cacophony in the canopy above. River waters churned. Birds screeched overhead. The drums thumped and pounded faster and faster, a thunderous hoof-rumble of blood pulsing through the ape’s heart and rattling the brain inside his primate cranium—

“Professor Khan?”

The churning river sounds faded. The screeches of monkeys and the hammering drum-beat were suddenly cut short.

The ape blinked.

He was standing at the lectern.

A class of college-age women in gray sweaters and collared shirts stared at him from a half-moon of seats. One of the students—Maggie Gilroy—had her hand to her mouth.

It was she that spoke.

“Are you all right, Professor?”

Maggie. One of the few women comfortable speaking to him. The rest sat timid, as if he might one day pound the lectern to splinters, vault over the rail, and come at them.

“I’m… fine,” he said in crisp accented English. Each word short, but contained within the guttural growl like rocks tumbling in the deep of his throat. “What was I saying?”

“You were saying how dinosaurs could not have gone extinct and left no descendents in the world. You were noting the research of a Doctor Rudolph Ostarhyde—”

“Yes, yes. I remember now.” He adjusted his houndstooth jacket, and continued the lecture. But all the while, he felt the lectern vibrating with the heart-thudding drums.

* * *

“You’re troubled,” Edwin said.

The boy—that’s how the Professor thought of him, even though he was 19 years old, old enough to fight in wars and have a pint and sire children—tended to hover.

And right now, he was hovering. Like a skittish dragonfly over a pond’s surface.

“I’m troubled by the way you perch on my shoulder like a bird,” Khan said.

“Sorry! Sorry.” Edwin took a step to the side, quickly shuffling around to the other side of the table. All around them were shelves upon shelves of books, dusty and bound in tattered leather, some off shelves and in display beneath glass. This was Khan’s space—not an office, not really. Some derisively referred to it as his “lair.” He let that slide, though he felt the term more than a bit crass. “But something else seems to, ahh, be bothering you.”

“It isn’t. Everything is perfectly normal.” A lie.

“One of the girls, ahh, Maggie, she came to me after class and said—”

“That I stopped speaking.”

“You had another episode.”

“I was just collecting my thoughts, Master Edwin. The university and the women’s college has been good enough to let me push past the classical teachings and begin to instruct the students with a proper, more modern education. This is unfamiliar territory and so sometimes I choose to…” Choose to fugue out and become lost in the drums and the jungle sounds, sounds that appear out of nowhere and draw you in the way a honey cup draws flies. “…sometimes I choose to take time to consider my words. Your human language presents occasional difficulty.”

Another lie. Human language was all he knew. He could not communicate as an ape. He’d met gorillas before. Their chuffs and chest thumps, their grunts and snorts—it was to him just mammalian posturing, animalistic gobbledygook.

Thing was, he and Edwin shared a problem. Not that he’d ever tell the gawky tow-headed boy that, ogling at him from behind that pair of prodigious spectacles.

But Edwin was a child of privilege and shelter. He’d come from a cloistered academic family and was expected to remain in Oxford’s vaunted halls. They assigned Edwin as his assistant. The world to the boy was a place not experienced but rather read about in books.

That, too, was Professor Khan’s problem.

He was a highly intelligent ape. Not just the most intelligent ape in the world, but frankly more intelligent and better read than the majority of humans.

But all of it was theoretical. Learned, not experienced.

It was a problem Chaucer struggled with—the Canterbury Tales author reportedly warred with himself. Was it better to live a sheltered life and write of greater things, or was it wiser instead to experience things yourself?

Khan had little choice in the matter. The world didn’t trust him. They saw what he was and imagined him a beast and a brute: yes, yes, he cleaned up quite nice and was very polite and as erudite as any man, but all the same they suspected it to be a ruse.

Once in a while, heroes from the Century Club would come to him. They would consult. It was them, after all, who brought him here, who gave him a place—and in repayment, he helped plan their missions, helped offer academic support whenever called upon.

But then they always left, didn’t they? Armed with the knowledge he’d given them, they’d go back out into the world to battle whatever threat presented itself: time-traveling pirates or the spiderlings from the recently-discovered Pluto or the clanking robot-men of the Steam-Kaiser. Every time, Khan wished he were out there. Throwing fists. Roaring at the enemy.

Grunting. Chuffing. Screaming the ape language rather than the human one.

That, he felt, was what the drumbeat was trying to tell him.

And he feared what happened when he opened his heart to it.

Soon, he imagined, he might not have much choice.

“I’m glad you’re all right,” Edwin said. Smiling nervously, as he was wont to do.

“I’m excellent.”

“Truly.”

“Yes. Truly.”

* * *

Again: screeching. Inside the hollow of his mind.

Professor Khan stirred, lifting his massive head from its pillow—which was, in fact, not a pillow at all but rather a book on Tibetan cryptozoology.

But the dream—and with it, the sound of screeching—did not fade.

Distant, yes. But it did not soften.

Stranger still: it did not seem to be inside his head this time.

He cleared his throat, stood up at his desk, brushed the scone crumbs from his tartan kilt (it was much easier wearing a kilt than trying to shove his gorilla body into a pair of human trousers), and took off his reading glasses.

Then: footsteps. Plodding, clumsy footsteps racing down steps to here, his “lair”—even before the door flung open and he came tumbling in like an open closet of loose broomsticks, Khan already knew the sound belonged to Edwin.

Edwin. Wearing a long gray nightshirt and sleeping cap. Carrying a small oil lamp; Khan wished the university allowed him to experiment with the “free energy” discovered by Nikola Tesla only just last year. Carrying a lamp with a proper bulb that lit up without any connection to the power source was, to some, like magic: but to Khan, it was proper science.

“Professor,” Edwin said, gulping great heaves of breath. “Professor!”

“Spit it out, lad. It’s late.”

“You must come… you must see.”

The boy’s face wore a mask of horror.

Fine. He seemed shaken—probably found a rat under his bed or a bat above it. Khan urged the boy to lead the way, and the massive gorilla trundled after.

It was a surprise then when Edwin took to the stairs but at the top did not head right toward the dormitory. Instead, he turned left.

To the exit. To the courtyard.

Curious.

Outside, the springtime air of Oxford had teeth, but it didn’t bother the Professor, what with his body being covered in a heavy coat of ape-fur.

Above: a screech.

Khan tilted his head skyward, saw a shadow pass over the moon. A shadow shaped like a bird but much, much larger. Narrow head with backward skull crest. Wings more like that of a bat stretched wide.

“Oh my,” Khan said, breathless.

It was a pterosaur. But much bigger than any of the fossils that had since been discovered. Bigger than pterodactylus, to be sure.

And it was not alone. As one shadow passed, so did another, and another.

Then a dirigible drifted into view, hazy running lamps diffuse in the night.

As Khan’s eyes adjusted, he saw the shadows: dozens of them, some were pterosaurs flying, others great dirigibles drifting.

An invasion force.

Heading toward London.

“Inside boy,” Khan chuffed, grabbing the boy’s bony matchstick arm in his epic primate’s grip. “We must discover the truth of this thing. And quickly.”

In his mind, he heard the drums begin anew.

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